Lucas1

Here’s a secret to life kids: do what you say you are going to do. In 2008 I was 19, I had just dropped out of Lake Forest College after one uninspired semester, and I was telling myself that I was going to write and record an epic album. I imagined all the glory, wealth, and fame I would eventually receive— oh how sweet it would be. Instead, I got a job working at Burge’s Smoked Turkeys & Hams, drank too much, smoked too much (and I’m not talking about the turkeys), and grew depressed. It would have been depressing enough to have a poor diet, not get enough sleep, and live in a disgusting house with three other lethargic 19 year old dudes (as I did), yet added on top was the existential angst of not doing what I had set out to do. I yearned to write and record, and instead I ate catfish sandwiches and partied for a year.

A turning point came when Michael Carenbauer, the Director of Guitar Studies at UALR, walked into Burge’s one day to get some lunch. I had known Michael from my days at the community school of the arts at UALR and he suggested I enroll in some of his guitar classes. Thus, I went to UALR part time for a semester until I decided, with encouragement from my parents and Carenbauer, that I should apply for the Donaghey Scholars Program. I received a full-scholarship and a generous stipend and began classes full-time in the fall of 2009. Unlike at Lake Forest, I was determined to put in my best effort this time around. Fearing a lifetime of making cherry limeades at Burge’s, I told myself that I would work harder than I ever had in school, and that is exactly what I did. In 2013, I graduated summa cum laude with a 4.0 GPA.

Yet the most potent takeaway from my time at UALR was not my institutional success, nor was it the knowledge and skills I gained there— with a bachelor’s in music, and my only tangible skills being the ability to play guitar and write essays, I didn’t exactly have a clear path to follow after college. The most important thing I realized at UALR was that I had the personal ability to set my mind to something and achieve it. So I set upon my next goal: I would be a full time professional musician. I vowed to not take a job unless it was related to music, and thus started hustling to find enough gigs and guitar students to pay my bills. For three years I’ve steadily increased my musicianship, my notoriety, and my income (though all three are certainly modest) as I’ve succeeded in my goal of being a full time musician. I feel very proud of this fact. Although it is rarely a glamorous lifestyle, and I make far less money than some of my professional peers, I have a great psychological peace with the fact that I am doing what I dreamed of doing and what I said I would do.

Those of you who have followed the premise of my recent blog posts know that this is something else that I said I would do. On April 7th I stated that I would release one blog post and one song every week for nine months. For fourteen weeks I have diligently stuck to that promise (if you’re wondering why this week’s song is only Opus 12, it’s because two of the weeks I released songs under an alias). Now I’m going to quit. Yes I realize I just spent the last three and a half paragraphs talking about the importance of doing what you say you are going to do and bragging on myself for doing so! So what! I quit.

The truth is, I’m quitting for a good reason (I can hear your skeptical comments). I made the vow of doing this for nine months before I knew that I would be moving to New York City. Upon deciding that I would attend NYU this fall, I realized that I would not be able to keep recording a song every week. It has taken a lot of time and effort to keep this up, and I will not have that kind of time when I’m trying to keep up with the accelerated pace of grad school and NYC. I will, however, keep doing a blog post every week, I simply won’t be releasing a song.

I’m stopping now primarily because I need to take time to prepare for school. At the beginning of September I have music history and theory placement exams as well as ensemble auditions at NYU. I am going to take the time I had been using to write and record songs and use it instead to practice and study (I received two thick music textbooks to work through yesterday in the mail). Yet another big reason I’ve chosen to cut it off this week is that I am preparing to fulfill another long standing commitment I once made. I’m finally going to record that “epic album” I dreamed about when I was 19!

Ok, it might not be epic; it might not bring me fame or fortune; it might not even be that good. But I once told myself that I would record an album and I know that I won’t be happy unless I do. I’ve booked time with Jason Tedford at Wolfman Studios, recruited my friend and musician extraordinaire Daniel Olah to help me, and later this month will record 12 of my best songs (many of which I released during this project). I’m just gonna do it!

Now I could wrap this all up by saying this: “life is short, just do it!” But that would be a lie. Life isn’t necessarily short. If you aren’t doing that thing that you want to do or that thing you’ve been saying you are going to do, then life will be very long. You’ll have a nagging sense of regret, shame, and yearning and time will just creep slowly by. The good news is that in that long, lingering lifetime you can turn it around at any moment and start doing what you say you’re going to do. Don’t worry if you never become rich or famous— life isn’t about winning the prize, it’s just about doing the damn thing.

Now that was a nice, neat narrative, but the larger reality (like everything in life) is much more complicated and deserves some qualification. I realize that not everyone was born into circumstances as favorable as mine. I have a wonderful supportive family, and while I did not grow up rich, I certainly never felt worried about money. Some people do not have the freedom to set their mind to some lofty ideal because they are simply struggling to get out of a dire economic situation, or even worse, struggling for their survival. I am not here arguing that everyone can easily come up with a dream and achieve it. I understand that in America the chips are stacked greatly against you if you are a person of color, a woman, LGBQT, physically disabled, poor, or anything else that isn’t rich, white, and male. The inequality in our country is horrendous, and must be remedied if we want to continue to pretend to be a civilized country. I wanted in this blog post to offer inspiration and advice, but I’ve quickly bumped into the realization that my perspective is limited due to my fortunate upbringing. I haven’t fully wrapped my head around how to reconcile this. Yet I still feel that there are some good sentiments in this post, and they are here for anyone who might find them useful.

Here’s the final Opus (for now). Sorry to end it on a sad note, but hey, tears are part of life too.

 

LucasGuitar

For the past seven years I’ve been living a double life. On the outside, I’ve appeared to be a dutiful college student, guitar teacher, and performer— learning, teaching, and playing music that others have written. I’ve played with numerous original music groups along the way (Ezra lbs, The See, Velvet Kente, Rouxster, Big Piph & Tomorrow Maybe), but I was never the primary creative force in any of these bands, merely the guitarist. My dirty little secret is that I’ve been writing my own music and lyrics since high school. I have numerous reasons for hiding this shameful activity: it’s egotistical, it doesn’t make money, there are a million better songs, I don’t want people to dislike my art (or dislike me for producing it), and my songs are never as good as I want them to be. Yet I realize that I am not going to stop writing songs anytime soon— truthfully, writing, recording, and performing original music is my most pressing desire. I could continue to conceal my creations, but I would be cheating both myself and any potential listeners. Thus, I’d like to refute my reasons for not releasing my work and then share two Indie Pop-Rock songs I’ve recorded this year.

It’s egotistical. Of course it’s egotistical. My lyrical content is all about my life. I’m writing all about my personal hopes, heartbreaks, connections, and philosophy because that is what I know best and what carries emotional weight for me. Furthermore, the act of writing anything to be shared with others is always at least partially egotistical. Whether it is in this blog or the music I write, there is a consistent voice behind the overt content that simply says “hey listen to at me! I have something important to say.” This is fine. I don’t think I want to hear an egoless song because I wouldn’t believe it were authentic— perhaps a small number of spiritually enlightened people have learned to live without ego, but 99% of the world has not. Furthermore, without ego you don’t have the feelings of desire, ecstasy, vengeance, lust, frustration, confusion, depression and triumph that tend to make for a good song. To quote the late writer and instructor William Zinsser, “writing is an act of ego, and you might as well admit it. Use it’s power to keep yourself going.”

It doesn’t make any money. Truthfully this is a big reason that I do not spend more time creating and sharing my work. I teach and perform other people’s material because that is what people pay me to do. If I were paid handsomely to write and record songs then I would do it all the time. Yet even in the absence of payment, I do find time to create original music and yearn to do it even more often. This is because I don’t see the art of music as merely a means to a payday, but experience it as a way to explore and release my desires and emotions and ultimately satisfy my basic human need to be creative. There may even be benefit in not getting paid for my art (said the guy not getting paid for his art). If I needed to make money writing songs, then I would need those songs to appeal to whoever were buying them— all of a sudden my freedom to express myself would be narrowed by the need to appeal to my buyers and my songs could become watered-down and emotionally ineffectual. On the contrary, right now I can write and record literally anything I want (be it sad, experimental, obnoxious, long-winded, sloppy, offensive, etc…) and I think that often the best art is produced in this space of ultimate creative sovereignty. Yet I would be lying if I said I didn’t want to make money on my music. I do, and even use this desire as motivation to create. For although I currently get paid more to teach and perform than to create, in the long-term I know that it is original music that could make me the most money (through record sales, commercial licensing, movie soundtracks, etc…). In short, no my original music doesn’t make me money right now, and I don’t need it to for it to be a satisfying personal activity, but I do want it to.

There are a million better songs. Sure there are. But there are a billion worse songs as well. I don’t necessarily benefit from turning songwriting into a competition, but I do listen to a lot of music, and I do often think “I could write a better song than that.” Even more often I think “that’s offensively unoriginal.” In the least I know that I have a unique perspective and a unique voice (I think everyone does if they are honest with themselves) and I am going to try to express it in my songs because no one else will for me. Ultimately it doesn’t really matter if these are better or worse than any other songs— they are different, they are mine.

I don’t want people to dislike my art. This is my biggest hindrance to actually sharing my work. I admire people who seem to not care what others think of them, but by my nature, I can’t help but care — I really want people to like me. When someone listens to something so personal as a song I’ve written, it’s easy to feel like their judgement of it (whether good or bad) is a judgement of me as a person. My mom, a terrific realist painter, once gave me an empowering book called Art and Fear by David Bayles and Ted Orland; amongst many other “observations on the perils and rewards of art-making,” they addressed the need to detach yourself from your work. You are not your art. Your personal value, strength, and identity as a human doesn’t come from any particular symphony you’ve composed, still-life you’ve painted, or nude you’ve sculpted. Certainly during the fervor of creation you can become one with the piece, yet as soon as you share it with the world, it has a life of its own— people will view it, share it, judge it and interpret it through their own personal filters. You too will change, grow, and create new work, so there is no use in identifying yourself with a piece that is no longer representative of what you are. Thousands of people could love or hate your art, but it is up to you to love yourself and keep creating. Finally, the goal of creating art shouldn’t be to make something that everyone will like. Musicians who have tried to appeal to everyone have ended up making middle-of-the-road elevator music. It is better for some to love your work and some to hate it, than to have everyone kinda-sorta like it.

My songs are never as good as I want them to be. I could talk about this phenomena myself, but someone smarter and more experienced than me has already said everything I want to say about the matter. Enter Ira Glass: “Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

And so in the spirit of closing the gap between my killer taste and my amateur output, I’m going to share two songs I’ve recently recorded. In truth these are only rough drafts. I recorded these songsall on my own and I know they can be improved by professional mixing/mastering and live drums (although my sampled drum tracks are pretty charming I think). My plan is to record an album’s worth of songs on my own (which allows me to flesh out all of the parts) and then re-record them with my friends Daniel Olah (drums) and Brad Birge (bass) at Jason Tedford’s Wolfman Studios (none of them know this yet by the way). I’m sharing them with you right now in part because I think they’re catchy and you might like them, yet also to push myself to continue to record. If people like these songs, I’ll be encouraged to record and share more; if people don’t like them, I’ll be encouraged to record more and improve. Regardless, my secret is out now, and I am going to keep recording. I have too much material that I’ve been sitting to not release it into the world. I hope you enjoy!

(lyrics below)

Jesus Burger

you wear a shirt you bought today

you sport a hat and morning shave

you get your style from magazines

and style your hair like him onscreen

you only scream when watching sports

you dream just like a sleeping corpse

you only kiss when you are drunk

your love is sinking or it’s sunk

these garish gods

they pave the way

for passive people

passing days

Jesus burger

Buddha fries

savior sugar

recognize…

you get your comfort from TV

you get your words from what you read

you eat your lunch at nearly noon

you only speak when spoken to

work all day for dollar bills

and go to sleep by eating pills

you cannot speak and so you text

you can’t make love but still need sex

these garish gods

they pave the way

for passive people

passing days

Jesus burger

Buddha fries

savior sugar

sure tastes nice

these garish gods

they pave the way

for passive people

passing days

Jesus burger

Buddha fries

savior sugar

paradise

Sweat Machine

I got nothing but time for myself

but you got something for me I can tell

pocket room but there’s nothing to sell

you got something

tell me

your secrets surely will compel me

to wear your darkness on my short-sleeve

to let me drink the blood I need

whatever you need

will only grow up from this black seed

will always be there when you breathe

will always be there when you breathe

I got nothing but time for myself

but you got something for me I can tell

pocket room but there’s nothing to sell

but you got something for me I can tell

stop now

you had another evil thought now

but we both know that it’s your heart’s vow

you signed up for this when you came down

when we came down

somehow we showed up in the same town

somehow you knew just when to spin around

and now I’m spinning with you… with you

with you with you with you with you

with you with you with you with you

with who with who with who with who

we’re through we’re through we’re through we’re through

I got nothing but time for myself

but you got something for me I can tell

pocket room but there’s nothing to sell

but you got something for me I can tell

pay no mind as I talk to myself

I’m just trying to say something else

pocket room but there’s nothing to sell

but you got something for me I can tell